Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
《卧龙战警》在线观看完整版-高清电影-星空影院
发行年份：1992
首映地区：美国
导演：比尔·杜克
演员：劳伦斯·菲什伯恩,杰夫·高布伦,查尔斯·马丁·史密斯
《卧龙战警》在当时的电视剧市场中扮演了怎样的角色？
答：在当时的电视剧市场中，该剧可能通过独特的剧情和表现方式吸引了观众目光。
《卧龙战警》这部剧的视觉效果和摄影手法有何亮点？
答：视觉效果和摄影手法可以为剧集增添视觉上的享受，吸引观众。
《卧龙战警》在社会上有何影响？
答：该剧在社会上的影响可能包括引发观众对家庭、人际关系等议题的讨论。
《卧龙战警》这部剧在您心目中的评价是怎样的？
答：我个人对该剧的评价可能取决于剧情、演员表现、和剧集的整体质量都感到过的去
您认为《卧龙战警》脱颖而出的地方是什么？
首先，在情节方面，《卧龙战警》展现了一个丰富而复杂的故事世界。剧中的故事线错综复杂，但每一条线都有独特的发展和情感深度，使得整个剧集充满了戏剧张力。尽管有些情节可能对于原著粉丝来说有所熟悉，但整体上，《卧龙战警》成功地在原有的故事基础上增添了新的元素，使得故事更加丰富和引人入胜。
