在线观看高清电影《不安》HD无损完整版-星空影院

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Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.

《不安》在线观看完整版-高清电影-星空影院

发行年份：1954

首映地区：其它

导演：罗伯托·罗西里尼

演员：英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特

《不安》在当时的电视剧市场中扮演了怎样的角色？

答：在当时的电视剧市场中，该剧可能通过独特的剧情和表现方式吸引了观众目光。

《不安》这部剧的视觉效果和摄影手法有何亮点？

答：视觉效果和摄影手法可以为剧集增添视觉上的享受，吸引观众。

《不安》在社会上有何影响？

答：该剧在社会上的影响可能包括引发观众对家庭、人际关系等议题的讨论。

《不安》这部剧在您心目中的评价是怎样的？

答：我个人对该剧的评价可能取决于剧情、演员表现、和剧集的整体质量都感到过的去

您认为《不安》脱颖而出的地方是什么？

首先，在情节方面，《不安》展现了一个丰富而复杂的故事世界。剧中的故事线错综复杂，但每一条线都有独特的发展和情感深度，使得整个剧集充满了戏剧张力。尽管有些情节可能对于原著粉丝来说有所熟悉，但整体上，《不安》成功地在原有的故事基础上增添了新的元素，使得故事更加丰富和引人入胜。

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